Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Diego Velazquez
Equestrian Portrait of the Count Duke of Olivares

ID: 94829

Diego Velazquez Equestrian Portrait of the Count Duke of Olivares
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Diego Velazquez Equestrian Portrait of the Count Duke of Olivares


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Don Luis de Gongota y Argote (df02) | A Woman as a Sibyl | Aesop | Oortrait du cardinal Astalli (Pamphilj) (df02) | The Court Dwarf Don Antonio dl Ingles (mk45) |
Related Artists:
Peter Snayers
(1592 - 1666 or 1667) was a Flemish Baroque painter known for representations of historical battle scenes.Born in Antwerp, he studied under Sebastiaen Vrancx before joining Antwerp's Guild of St. Luke in 1612. By 1628, Snayers was a citizen in Brussels.
Fernando Yanez
Spanish 1489-1536 Fernando Yanez Gallery
John sell cotman
English Romantic Painter, 1782-1842 English painter and etcher. Cotman was born in the parish of St Mary Coslany, Norwich, the son of Edmund Cotman, a hairdresser, later a haberdasher, and Ann Sell. In 1793 he entered Norwich Grammar School as a 'freeplacer'. In 1798 he moved to London, where he worked as an assistant to the publisher Rudolph Ackermann. Following in the footsteps of Turner and Thomas Girtin he joined Dr Monro's 'Academy' in 1799 and became a member of the sketching society that had developed around the personality and talent of Girtin.






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